June 2022

So here’s the second part of my Maya Deren film analyses that I wrote back in college. I remember this one being significantly more of a pain in the ass to write than the one for At Land, going through countless rewrites before I was at-all satisfied with it. Once again, I recommend watching the […]

Here’s a little story for ya: back in 2017, I briefly became fascinated with the works of American experimental filmmaker Maya Deren. First of all, let’s just let the fact that 2017 was 5 YEARS AGO sink in. Done? Okay, so whilst I was studying fine art at college, I ended up working on a